However director Nandini Reddy manages to come out these problems with some well staged and naturally performed comedy scenes. Showcasing ‘lack of communication’ between modern lead pair sometimes gets too cinematic. Also most love stories, especially in Telugu, can be very predictable.
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The movie does have its dull moments, especially in the initial stages of both halves, when you will hope the story moves a touch faster. The role of Gautam’s mother is a character that is etched with lots of love around it, and Rohini does complete justice to it.Īshish Vidyarthi, though he could be over the top sometimes, fits the character of an arrogant kidnapper very well. Most love stories bank heavily on its character artists and everyone in the movie give good performances irrespective of their lengths. To know that she dubbed for the movie and sang three songs is worthy of an applause! The chemistry between Nani and Nitya is subtle, sweet and it gives the movie some of its best moments. It seems after doing complex roles in Malayalam films, the role of an ultra modern girl was just a cakewalk for her. Nani is as usual good in the role of a boy next door who directs crime based reality shows! Nitya Menon is a revelation – the ease with which she essays her role is amazing. You hardly worry about the graphics or background music or cinematography – it is just too much fun to think about all these! For a change we have comedy that isn’t too cinematic, but purely situational. Right from its start Ala Modalaindi is a true blue romantic comedy and remains so till the end. With Gautam kidnapped, and Nitya getting married soon, things take an unexpected turn – they all end up becoming extremely hilarious to an expected climax. It doesn’t take too much time for us to realize that Kavya doesn’t remain Gautam’s girlfriend for long as he rushes get back to her – but he is now kidnapped. This time it Nitya turn to feel dejected as she leaves him, and agrees to a marriage of her mom’s choice. Problem is Gautam now has a girl friend, Dr. They meet again, and it doesn’t take too much to get the sparks going on in their life. Dejected Gautam stops communicating with Nitya, but unbeknownst to him Nitya had broken up with her fiancée, much to her mom’s annoyance. Just when Gautam is about to express his love, the girl’s fiancée comes into the picture. They bond over shopping, career choices and almost everything in their lives. They both are still nursing their heartbreaks – Gautam over the bride (Kriti Karbanda), and Nitya over the groom. Obviously Gautam accepts the last one and narrates his story which goes as follows: At a marriage, Gautam meets Nitya, a girl who has had one too many drinks. Wielding a gun on Gautam, the kidnapper asks him to entertain with a song, or a story. Gautam (Nani) is on his way to Bangalore when he is kidnapped by an overconfident rogue (Ashish Vidyarthi). takes a peek at how good this start really is for her! Never late for a good start they say, and she brings trusted friend and bankable actor Nani in her debut feature. ‘Ala Modalaindi’, true to its title, begins the career of director Nandini Reddy who should have debuted as a director atleast few years ago. Starring : Nani, Nitya Menon, Sneha Ullal, Kriti Kharbanda and others
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